Imagine you find this piece of paper stabbed into the ground with a pen. Based on what you see above, would you assume the person who did it was left-handed or right-handed?
Mime it with each hand if you have to and then answer the poll below ⬇️
Note: I forgot that this was initially an email sent to subscribers — turns out you need to be subscribed to answer the poll. Obviously subbing would be great, but feel free to just leave your guess in the comments section if you prefer.
There will be a follow-up to this. With any luck, the article I’m currently working on will be posted in a few weeks, and by then I’ll hopefully have enough replies to start writing the article based on this poll’s outcome.
Even if you already know what this is, don’t spoil it for everyone, just vote on which hand you think was used — there’s a twist even you might not see coming ;) OK… there is still a twist, but… turns out I can’t read, so it’s not quite as big of a twist as I was first imagining.
In the meantime, check out the IFRQ-FM playlist — now with more than 64 hours of hidden gems from every decade since the 1910s.
IFRQ-FM Playlists
All tracks from every INFREQUENCY-FM playlist in one, long playlist. Just hit random & enjoy over 100 years of mostly lesser-known and obscure tracks from every decade from the 1910s to the 2020s!
The Food Is Terrible
Malvina Reynolds was a folk singer-songwriter who came to prominence through San Francisco's burgeoning counterculture scene of the late 1950s. She was known for her sharp social critiques and incisive wit, though, is perhaps best-remembered today for her song "Little Boxes" being used in the
Is Jazz Having a Moment?
As a teenager in the 90s, anything even close to “Jazz” was probably the lamest thing around. I was just young enough that not even Bill Clinton could make the saxophone cool to me. And that whole mid/late-90s Ska revival thing didn’t exactly help either. It wasn't until I started listening to Brazzaville in the early 2000s that the sound of horns stopp…
Hovercraft
Known for their angular, delay-soaked compositions and throbbing rhythms, Hovercraft stood apart in a music scene as a true experiment in sound and perception that still defies easy categorization.
ima guess right, based on miming the action myself with both hands.
left